Tout un monde de Strat(e)s

Photos Jean-François Augé et Marie Monteiro

Tout un monde de Strat(e)s

Premiere on May 24 and 25, 2013, at La Sirène (La Rochelle) and at Le Parnasse (Mimizan) on June 2, 2013
A project for a symphony orchestra, a choir, a rock band of 20 musicians, and a septet

Following the Beatles’ breakup, George Harrison released in 1971 the album All Things Must Pass, which included a number of songs originally written for the group. The second feature of the album is the production by Phil Spector. For most tracks, every instrument and vocal part was recorded—and re-recorded—multiple times, creating a magnificent “Wall of Sound.” During Tout un monde de Strat(e)s, a symphony orchestra, twenty or so electric guitars, bass and drums, a choir and a septet of all stars perform some of the songs on the album. Transcribed and rearranged by François Ribac, All Things Must Pass regains its full orchestral scale on stage. In a second part of the show, the septet performs an original piece by François Ribac and Eva Schwabe inspired by the style and life of George Harrison (the twelve strings, the slide, gardening, India). In addition to the show, François and Eva present Beatles films during a tour in cinemas. Created in collaboration with La Sirène (La Rochelle) and its director David Fourrier, Tout un monde de Strat(e)s organises a meeting between (semi-) amateur ensembles and a professional septet whose members have all forged strong personal connections to George Harrison’s music.

Team

Compagnie Ribac-Schwabe
Bass, guitar, composition, orchestrations: François Ribac
Singers: Cathal Coughlan, Eva Schwabe
Guitars: Dave Gregory, Gilles Laval, Goulven Hamel
Drums, percussion: Philippe Istria

Texts by George Harrison, Eva Schwabe, Martin Newell and William Blake

Lighting design: Stéphane Boisumeau and François Ribac (La Rochelle)
Administration: Thierry Boutin

The orchestra of the La Rochelle Agglomeration Community Conservatory
Conductor: Sébastien Orzan
Solo violin: Pierre Emmanuel Blanc
Solo cello: Jacques Froger
First violins: Charles Blanc, Axelle Blondel, Soline Bolin, Anne-Claire Ciceri, Marion Desru, Diane Istin, Claire Lefévère-Laoide
Second violins: Alban Cellier, Catherine Chevalier, Tiphaine Janitor, Leïla Lisiack, Sophia Olmos, Manon Pellet, Lucie Pétrou, Lucas Ponsin
Cello: Marie Carayon, Josephine François, Baptiste Heneresse, Aindrias Lefévère-Laoide, Lola Marotte, Claire Milligan
Percussion: Titouan Démereau, Adeline Martin, Christophe Simmonet, Armelle Supervie
Saxophones: Aurore Berthélémy, Arthur Guidel, Arnaud Janitor, Milau Pradeau
Trumpets: Etienne Carnovai, Hugues Sarrat
Trombones: Marceau Caron, Ronan Moreau

The choir of the Lycée Dautet de la Rochelle:
Sylvie Blanc (choir director), Mélissa Brown, Amel du Reau, Solène Fauvel, Jean Forquenot de la Fortelle, Adèle Foucher, Héloise Gourcerol, Eva Maurin, Ilona Potet, Emma Soulier

The musicians from the Rochefort rock school, conducted by Thierry Bouyer

Guitars: Alison Autin, René Pineau, Juliette Rousseau, Félicie Saadna
Bass: Maël Fusillier
Drums: Inés Lagnier

The musicians of La Sirène conducted by Dimitri Chaillou
Electric guitars: Hugo Chalan-Marchio, Ludovic Geneau, JP Jelen, Jonathan Kazemi, Boris Labant, Chloé Marechal, Timothée Sussin
Electro-acoustic guitar: Caroline Pereira
Bass: Lucien Celton, Guillaume Jaufry
Drums: Axel Bernard, Robin Bisserier

The team of La Sirène
Sound engineer: Christian Parrot, Christophe Rousseau
Lighting control: Stéphane Boisumeau
Stage Manager: Stéphane Chapron
Floor Manager: Dolores Brumaud

Production: Camille Dubois, Mathieu Moreau
Coordination: Benoit Zubryski, Dimitri Chaillou, Steve Perreux
Communication: Cécile Mourlaque
Recording: Thibaud Carter
Catering: Karim Magnant, Laurent Fouillen, Capucine Lhote

The Mimizan teams at Le Parnasse
Drums and percussions: Lionel Ducasse, Océane Besse, Zélie Chevance, Axel Femenia, Fantin Gallibert, Quentin Dufau
Guitars: Jean-Jacques Lacourty, Patrick Verdu, Eric Chevance, Alain Dulhoste, Elsa Cahut, Jean Comte
Bass: Philippe Lesca
Guest keyboards: Didier Lage

Sound control: David Prévost
Lighting control: Frédéric Viano

Associated partners: The Conservatoire de Musique et de danse de l’Agglomération de La Rochelle / La Rock-School – Le Conservatoire de Musique – La Poudrière de Rochefort / Le Lycée Dautet de La Rochelle / Le collège Fromentin et le collège Fénelon Notre-Dame de La Rochelle / Le collège La Fayette de Rochefort / La médiathèque Michel Crépeau de La Rochelle / Le Carré Amélot de La Rochelle / La Librairie Callimages de La Rochelle

Production

Compagnie Ribac-Schwabe / La Sirène (La Rochelle) / Le Parnasse (Mimizan) / Conseil régional Poitou-Charentes / Conseil général des Landes / Conseil général de la Charente-Maritime / Communauté d’agglomération du Pays Rochefortais / Ville de Rochefort / Conservatoire de Musique et de Danse de l’agglomération de La Rochelle /Ciné Passion 17

Presse

Mativi à La Rochelle 2013

SudOuest May 24 2013

Sébastien Orzan, François Ribac (on guitar), and Eva Schwabe. The three accomplices are sharpening their sound on the stage at La Sirène (Photo: Dominique Jullian).

The nonactual concert

Conservatory students, musicians from La Sirène and the Rochefort Rock School, and Dautet choir members join forces to honor George Harrison.

This evening and tomorrow, there will be no question of squirming to the sound of “current” music in the large auditorium of La Sirène. The music will be there, and so will the amplifiers. Beyond that, however, these two back-to-back concerts—bringing 70 performers to the stage—will offer a departure from the usual atmosphere. For starters, the audience is asked to sit quietly, keep a lid on the chatter, and open their ears. And they’ll do just as well, because it’s probably not tomorrow that they’ll have the opportunity to attend a concert like this.

Each in their own element

“Tout un monde de strat(e)s”, dedicated, one can guess, to a certain guitar and to Georges Harrison, is the title of the announcement, not only of the two concerts of the weekend, but of a vast project which, after months of work, is leading to a musical event. This project—involving collaborations with the La Rochelle Conservatory, La Sirène (management and technical staff), the Rochefort Rock School, and the Ribac-Schwabe Company—brought together a diverse group of people to make music collectively, rather than working in isolation. That is to say, stepping out of their usual musical worlds: the “classical” realm for conservatory students, and the rock scene for musicians from Rochefort and the La Sirène studios. To spice up the sound a bit, the strummed and scraped string players rehearsed with the choir members from the Jean-Dautet high school. They were coached and led by a fantastic trio: Sébastien Orzan (trombone teacher at the conservatory) François Ribac (bassist-composer) and Eva Schwabe (singer).

Ribac has a crush on Harrison

But it is François Ribac who truly deserves the biggest tip of the hat. Without the pop bug that bit him, and without his passion for George Harrison’s music, this event simply wouldn’t be happening. Ribac conceived the concert in two parts, based on Harrison’s album All Things Must Pass, released shortly after the Beatles’ break-up. The first part features Irish singer Cathal Coughlan and guitarist Dave Gregory (“who is to pop what Tortelier is to the cello,” according to Ribac) performing music written by Ribac as a tribute to Harrison. “With a common thread,” he notes: “the 12-string guitar, India, and a love of gardening.” For the second part, he has lined up five tracks from All Things Must Pass, plus one written by Ringo Starr. All of this—blending conservatory musicians, rockers, backing vocalists, Eva’s voice, Ribac and his guitar, Pierre-Emmanuel Blanc on violin, Jacques Froger on cello, and a perfectly tuned sound system—promises to make for an excellent concert. But what about you? Does George Harrison strike a chord with you, or leave you cold? To find out for sure—and to hear for yourself—head over to La Sirène

Christiane Poulin